patrickjoust:

Fells Point
Baltimore
…
Leica M3 Voigtlander Nokton 40mm f/1.4
Fujifilm Neopan 1600 developed 3200 Xtol (1:1)

patrickjoust:

Fells Point

Baltimore

Leica M3 Voigtlander Nokton 40mm f/1.4

Fujifilm Neopan 1600 developed 3200 Xtol (1:1)

patrickjoust:

Denton, MD
…
Rolleiflex 2.8F
Fujichrome Astia 100F

patrickjoust:

Denton, MD

Rolleiflex 2.8F

Fujichrome Astia 100F

assignments girls  people  phone drops make me feel…

assignments girls  people  phone drops make me feel…

(Source: totalfilm)

imagine jesus carrying a gun


If you’re comfortable risking the use of lethal force to defend your property or that of your neighbors, you’re doing so against the teachings of Jesus. If you’re a Christian and yet you think risking the end of another person’s life to protect your house or possessions is reasonable, we don’t merely have a difference of opinion. I’m calling you out and telling you to repent.

Zimmerman was armed, we’re told, because there had been numerous burglaries in the neighborhood and he wanted to protect his community. By carrying a gun, he implicitly acknowledged his willingness to use it in defense of property. I understand that many Americans have no problem with that. But a Christian must object.

As someone who has been robbed, had guns held to his head, and sat under the threat of lethal force as I watched my apartment being ransacked, I can emphatically say it is wrong to use force to defend your possessions. I did not sit there seething, wishing I had a gun. I offered the men a drink. I share this not because it is remarkable but because it the least that any Christian should be expected to do in similar circumstances.

(Source: azspot)

Moral of the story: http://www.youtube.com/watch?v=dx0Shn5Hvpc&ob=av2e


“Terror-Bringer Hackmonster” his agnomen read. “Terry Ackermein” is what his credentials said. To his mother he was Terry, through and through, to the bone. His brother knew his darker side, but left Terror alone. His father was a macaronic failure built of little girth (he’d promptly up-and-left at Terror’s brother’s birth)   

His mother, a sylph of a woman, had moved them to Boxes and Soot as an apotropaic, seeking solace in poverty from those seeking solace in advantage. However, Terry, now some sort of ephebe, piped up about pipe dreams and wishes of grander lifestyles and fine woollen clothes and ‘delightful pastimes’ and ‘holidays’ and his wishes regarding such things. His mother, a sylph of a woman brought up in a time of cumshaws and bona fides and not one prone to barnburning, decided that it was “time” to “move towards” something of a brighter future, however realistic her take on Bright Futures was.

Six years pass. Sylph and Co. pack and move to a littoral shack near Atlantic City, NJ. Younger brother dead from the rattles. Older brother revives his murderous old habits in grief and slays mother. Turns hisself in at the next police-box. Confesses to numerous crimes of a gratuitously graphic nature. Makes bail from mysterious petit old man. The audience learns of his identity - the child’s father. The child is still in the dark on this matter. They live together for several years after the Bail incident, until father dies of TB. The child moves from place to place, seeking refuge. Does he find it?

 

nythroughthelens:

The Chrysler Building. Midtown, New York City.
If you are fortunate enough to look up at exactly the right time, you can catch the sun dancing along the top of the Chrysler Building.
As the sun glides across the iconic spire, it leaves glimmering trails: shimmering footsteps connecting the sky to the city.
The Chrysler Building is a classic example of Art Deco architecture. Designed by architect William Van Alen for a project of Walter P. Chrysler, it was the headquarters of the Chrysler Corporation from 1930 until the mid 1950’s. Even though the building was built and designed specifically for the car manufacturer, the corporation did not pay for the construction of it and never owned it, as Walter P. Chrysler decided to pay for it himself, so that his children could inherit it.
Upon its completion on May 20, 1930, the added height of the spire allowed the Chrysler Building to surpass 40 Wall Street as the tallest building in the world and the Eiffel Tower as the tallest structure. It was the first man-made structure to stand taller than 1,000 feet.
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View this photo larger and on black on my Google Plus page
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Buy “Touching the Sky - The Chrysler Building - New York City” Prints here, email me, or ask for help.

nythroughthelens:

The Chrysler Building. Midtown, New York City.

If you are fortunate enough to look up at exactly the right time, you can catch the sun dancing along the top of the Chrysler Building.

As the sun glides across the iconic spire, it leaves glimmering trails: shimmering footsteps connecting the sky to the city.

The Chrysler Building is a classic example of Art Deco architecture. Designed by architect William Van Alen for a project of Walter P. Chrysler, it was the headquarters of the Chrysler Corporation from 1930 until the mid 1950’s. Even though the building was built and designed specifically for the car manufacturer, the corporation did not pay for the construction of it and never owned it, as Walter P. Chrysler decided to pay for it himself, so that his children could inherit it.

Upon its completion on May 20, 1930, the added height of the spire allowed the Chrysler Building to surpass 40 Wall Street as the tallest building in the world and the Eiffel Tower as the tallest structure. It was the first man-made structure to stand taller than 1,000 feet.

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View this photo larger and on black on my Google Plus page

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Buy “Touching the Sky - The Chrysler Building - New York City” Prints here, email me, or ask for help.